Finding a Throughline
Magda Andrews-Hoke describes how composing her poem Throughline helped her to ‘understand time and crisis’ during the pandemic, in the latest of our series of artist…
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Magda Andrews-Hoke describes how composing her poem Throughline helped her to ‘understand time and crisis’ during the pandemic, in the latest of our series of artist…
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Arthur Aghajanian allows a Velázquez portrait to inspire a fascinating exploration of art, truth and contemplative stillness. “Then it was as if I…
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For our series of artist reflections connected to the Transept Interface exhibition, Melody Bellefeuille-Frost describes the creative process behind her collage This is Where We Live Now….
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As our week-long series honouring Dr Ewan Bowlby, our beloved past Editor-in-Chief who died in December, ends, his friend and colleague Karen McClain Kiefer…
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Over the next four weeks, Transpositions will be publishing a series of articles in which artists exhibiting in the Transept Interface exhibition reflect on their creative process. These…
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Giulia Privitelli reviews Le.Iva, a multi-media installation by Maltese artist Austin Camilleri exploring anger, grief and mortality. To grieve takes effort. At the end of a…
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Eden O’Brien describes how watching Brideshead Revisited taught her that bingeing “opens up a new mode of experience” that is “primed for ritual and depth” in…
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Matthew Nelson reflects upon Mike Flanagan’s new Netflix show, Midnight Mass, a masterful—and disturbing—tale in the Gothic tradition that engages questions of faith, religion ….
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Alisha P. Aggrey describes how Ye’s ‘Revelation 19: 1’ became her ‘pandemic soundtrack’, giving her a daily sense of a Divine ‘encounter’ that transformed…
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