Wormholes To Joy: On Making ‘Fig Tree’
My piece for the Enfolding exhibition, a series of drawings called ‘Fig Tree’, was born out of a desire to communicate visually some of…
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Behind The Veil: An Artist’s Reflection
The paper swims in front of me as I lean my body over it again, moving the water and paint in large sweeping gestures….
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Artist Reflection For ‘Enfolding: The Study Of Margins And Centres’
When discussing the theme for the Transept exhibition in 2023, I immediately thought of connection as a way to make changes in our society:…
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The Bright Abyss: A Response To ‘The Art Of Church Architecture: The Light Of Reconciliation In Post-War Church Architecture’
For the next reflection in our series honouring the work of Dr Ewan Bowlby, Dr Sarah Moerman looks back at Ewan’s discussion of post-war…
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Reflections On ‘TheoArtistry: “Beyond Clarity”‘ By Ewan Bowlby
In the spring/summer semester of 2019, a quiet experiment in theology took place in St Andrews. Tucked away in a bright but bland meeting…
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It Will Flame Out
Editor’s Note: Over the next week, Transpositions will honour Dr Ewan Bowlby, our beloved past Editor-in-Chief who died just before Christmas. Several of Ewan’s colleagues will…
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Intuition: A Key to the Spirituality of David Lynch’s Films
Using intuition as a guiding theme, Sean Desmond examines how we can understand the enigmatic style and spiritual quality of David Lynch’s films. ‘Instinct…
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Marc Chagall’s Le Cantique Des Cantiques II
During his lifetime, the Jewish artist Marc Chagall offered the world hundreds of visual representations of the Bible in the form of etchings, gouaches,…
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The Place of Mercy: From Work of Art to the Work of God
‘…when you give to the needy, do not announce it with trumpets, as the hypocrites do in the synagogues and on the streets, to…
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