A journal of theology, imagination, and the arts.

Two-Faced

Arthur Aghajanian allows a Velázquez portrait to inspire a fascinating exploration of art, truth and contemplative stillness.   “Then it was as if I suddenly saw the secret beauty of their hearts, the depths of their hearts where neither sin…

This Is Where We Live Now (Parts I & II)

For our series of artist reflections connected to the Transept Interface exhibition, Melody Bellefeuille-Frost describes the creative process behind her collage This is Where We Live Now. And are we not at home in Thee, And all this world a visioned show; That…

O Radiant Dawn

As our week-long series honouring Dr Ewan Bowlby, our beloved past Editor-in-Chief who died in December, ends, his friend and colleague Karen McClain Kiefer offers a final reflection. It can often seem as if we live our lives under the…

Through Hell To Beauty – The V-Shaped Artistic Process

Over the next four weeks, Transpositions will be publishing a series of articles in which artists exhibiting in the Transept Interface exhibition reflect on their creative process. These pieces will give fascinating insights into the ways in which unique artists create, as well as…

Le.Iva and the Point in Between

Giulia Privitelli reviews Le.Iva, a multi-media installation by Maltese artist Austin Camilleri exploring anger, grief and mortality. To grieve takes effort. At the end of a press tour of the exhibition Le.Iva | Anger is a Lazy Form of Grief, I was left with…

Bingeing Brideshead – The Gift Of Spontaneous Ritual

Eden O’Brien describes how watching Brideshead Revisited taught her that bingeing “opens up a new mode of experience” that is “primed for ritual and depth” in her contribution to our series on “bingeing” the arts.  During the final weeks of Christmas break…