A journal of theology, imagination, and the arts.

Review: The Messiah Comes to Middle Earth (Part 2)

Editor’s Note: This is the second installment of a three-part review.   Philip Ryken. The Messiah Comes to Middle Earth: Images of Christ’s Threefold Office in the Lord of the Rings. Hansen Lectureship Series. Downers Grove, IL: IVP Academic, 2017, xiii…

Feeding the Birds

Mary Poppins, the film based on the novel by Australian writer P. L. Travers, was one of Walt Disney’s greatest successes when it first debuted in 1964, and its five Academy Awards (out of thirteen nominations), its Golden Globe Awards…

Review: The Messiah Comes to Middle Earth

Editor’s Note: This is the first installment of a three-part review.   Philip Ryken. The Messiah Comes to Middle Earth: Images of Christ’s Threefold Office in the Lord of the Rings. Hansen Lectureship Series. Downers Grove, IL: IVP Academic, 2017, xiii…

TheoArtistry Festival: Sacred Music for the 21st Century

TheoArtistry is a new dimension within the Institute for Theology, Imagination and the Arts (ITIA) based in the School of Divinity at the University of St Andrews. This initiative explores how ITIA’s world-leading research may impact the making and practice…

Review: Visions of Mary

Jill K. H. Geoffrion. Visions of Mary: Art, Devotion, and Beauty at Chartres Cathedral. Paraclete Press, 2017. 192 pp. Colour illlus. ISBN: 978-1-61261-894-4. £17.98 hardcover. The unparalleled intact collection of medieval stained glass in Chartres cathedral has long been justly…

Review: Science in Wonderland

Melanie Keefe. Science in Wonderland: The Scientific Fairy Tales of Victorian Britain. Oxford, UK: Oxford University Press, 2015. vi+ 232pp. £16.99 hardcover. In her insightful and well-researched monograph, Science in Wonderland: The Scientific Fairy Tales of Victorian Britain, Melanie Keefe…

Barth, Mozart, and the Shadow-side of Creation

In the midst of expositing the doctrine of Creation that takes up the third volume of his Church Dogmatics, Karl Barth addresses das Nichtige: Nothingness, the chaos that negates God’s creative work and is not to be found anywhere in…

art, music, classical, visual, painting

Review: Music, Modernity, and God

Jeremy S. Begbie. Music, Modernity, and God: Essays in Listening. Oxford: Oxford University Press, 2014, viii + 261 (272) pp., £35.00 hardback. Music, Modernity, and God: Essays in Listening (henceforth, MMG), by Jeremy Begbie, Thomas A. Langford Research Professor of…