A journal of theology, imagination, and the arts.

What’s Love Got To Do With It?

‘We don’t become better people because we acquire new information. We become better because we acquire better loves,’ David Brooks suggests in The Road to Character (2015). ‘Education,’ he declares further, ‘is the process of love formation.’ [1] A New…

God’s Back: Jackson Pollock and the Beatific Vision

It would be difficult to read Jackson Pollock’s so-called drip paintings as the product of theological intent. Judging by their titles, which range from Devil to Cathedral to non-descript numbers, not to mention the legion of studies on Pollock’s influences, [1]…

If I Believe You: Agnostic Songs to Jesus

A hush descends over the room. The silence is only interrupted by the whirring of a machine sending curled fingers of smoke onto the pale-pink illuminated stage. With hands clasped and eyes closed, the lines of closely huddled bodies sway…

Review: God in the Enlightenment

God in the Enlightenment, ed. William J. Bulman and Robert G. Ingram, (Oxford, Oxford University Press, 2016) pp. 322. £22.99 In the wake of a seemingly resurgent right wing populism, a concerning rise of virulent xenophobia and islamophobia, the question…

CFP: Verge Conference

We are delighted to draw your attention to the following Call for Papers for the Verge Conference, hosted by our friends in the School of the Arts, Media + Culture at Trinity Western University.  The theme of this year’s conference is…

Review: The Poetics of Evil

Philip Tallon, The Poetics of Evil: Toward an Aesthetic Theodicy. Oxford: Oxford University Press, 2012. xx + 252 pp., £52.00 With refreshingly lucid prose and a creative handling of diverse sources, Philip Tallon culls the best insights of theological aesthetics…