A journal of theology, imagination, and the arts.

Review: QU4RTETS

Makoto Fujimura, Bruce Herman, and Christopher Theofanidis. QU4RTETS. New York: Fujimura Institute, 2012, 90 pp., $30.00 paper. This catalogue was published to coincide with the touring exhibition “QU4RTETS–art and music reflecting on T.S. Eliot’s Four Quartets.” The catalogue includes a “Foreword” from…

God and Oscar®: Whispers of Faith in the Motion Picture Academy

In a recent article in the Wall Street Journal, Image editor Gregory Wolfe rejects the assertion that: Whereas in the 20th century there were literary giants who grappled with faith—T.S. Eliot, Walker Percy, Flannery O’Connor—our own time is devoid of distinguished writers…

Featured Artist: J. A. C. Redford

J.A.C. Redford is a composer and orchestrator with dozens of Hollywood film and television scores to his credit. His recent collaborations with Thomas Newman include The Iron Lady, The Help, and Wall-E; his work with James Horner features such titles…

Wait, Don’t Tell Me…I Already Know

As the line between technology and magic continues to blur, there is, perhaps, no place more colorfully entertaining in which to experience this blurring than Walt Disney World.  Earlier this month the Walt Disney Company announced the planned introduction of a new…

Review: Genesis: William Blake’s Last Illuminated Work

Mark Crosby and Robert N. Essick, eds., Genesis: William Blake’s Last Illuminated Work. San Marino, CA: Huntington Library, 2012. 100 pp., £55.00 cloth. The purpose of this volume is to introduce and provide context for Blake’s Genesis manuscript. The editors present this…

Post-Secularism, Theology and the Arts

Whether by intention, a mysterious act of providence, or both, my reading in the last week was directed toward the theme of ‘post-secularism’ and the arts. By ‘post-secularism’, I mean the view that ‘secularism’ or the increasing ‘secularization’ of the…