A journal of theology, imagination, and the arts.

Review: Imagination and the Playfulness of God

Robin Stockitt, Imagination and the Playfulness of God: The Theological Implications of Samuel Taylor Coleridge’s Definition of the Human Imagination (Eugene,OR: Pickwick Publications, 2011).  179 pages. In The Imagination and the Playfulness of God, Robin Stockitt undertakes both a theology of the human…

Our Lady of Contrived Spectacle

It was Henry Hart Milman who evaluated Christendom in the post-Constantine era thusly: “As Christianity worked downwards into lower levels of society […] the general effect could not but be that the age would drag down religion to its level.”[1]…

Review: A Key to Balthasar

Aidan Nichols. A Key to Balthasar: Hans Urs von Balthasar on Beauty, Goodness, and Truth. London: Darton, Longman & Todd, 2011. 144 pp. ISBN: 978-0232528589.  With ambitious effort, Aidan Nichols’ publication A Key to Balthasar condenses into four chapters the major terms…

Review: Imaginative Apologetics

Andrew Davison (ed). Imaginative Apologetics: Theology, Philosophy and the Catholic Tradition. 2011. Reprint, Grand Rapids, MI: Baker Academic, 2012. In his Introduction, Andrew Davison unpacks the title and gives shape to the collection. He notes: The approach to apologetics offered…

Featured Artist: Paul Roorda

Paul Roorda is a contemporary Canadian artist working in a variety of media.  He holds a number of degrees including a B. A. in Psychology from the University of Waterloo (1988), an M. A. in Sociology from Northeastern University (1992),…

Connecting the Dots

It happens to pretty much everyone at an early age. You’re handed a paper smothered in dots, and are instructed to carefully draw lines from one to another, with the promise that an image would appear. Thick crayons scrunched in…