Transpositions - A Journal of Theology, Imagination and the Arts
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Cole Matson

Cole Matson is a final-year PhD student in the Institute for Theology, Imagination & the Arts, exploring the Eucharistic theologies of Jerzy Grotowski, the Rhapsodic Theatre, and the Reduta Theatre.

Community, Monasticism, Theatre18 July, 2011

Received like Christ: Benedictine Hospitality in the Theatre

By Cole Matson

I’ve written elsewhere about the idea of a Benedictine theatre company, that is, a theatre company which operates according to the values of Benedictine…

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Featured, Theatre1 July, 2011

The World Over: Touching the Live Wire of Love

By Cole Matson

Transpositions is pleased to announce that, as of today, Cole Matson is joining our rotation of regular contributors.  Welcome to the team, Cole! In…

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Artists, Improvisation, Theology27 May, 2011

The Creativity of Yes: The Marian Role of the Viewer

By Cole Matson

About a month ago, Wes Vander Lugt drew my attention to an article on the work of artist Guy Chase. In the article, the…

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Community, Place and Community Art, Theatre14 April, 2011

The Place of ‘Place’: Community-Building in American Theatre

By Cole Matson

Yesterday, Jenn Craft asked, ‘If you are a practicing artist, how might a deepened relationship to place affect your work?’ This question is becoming…

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Imagination, Literature, Theology22 October, 2010

Harry Potter and the Eucharist of Empathy

By Cole Matson

In the second half of J.K. Rowling’s 2008 Harvard commencement speech, ‘The Fringe Benefits of Failure, and the Importance of Imagination‘, Rowling defines imagination…

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Ethics, Literature14 September, 2010

Is Tolkien Useless?

By Cole Matson

Cole Matson is a Theology finalist at the University of Oxford. He writes about Christianity and theatre at The Unicorn Triumphant. During his talk…

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