Church and Connection in the Modern World: A Photo Essay
When one brings up religion, something in the air changes. This project was birthed out of a desire to take those air measurements. It…
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Encountering an Icon: Thomas Eakins’ ‘The Crucifixion’
‘There really is no such thing as Art. There are only artists.’ [1] With these two provocative little sentences, E.H. Gombrich begins his famed…
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Theology, Arts, and Culture Series: An Interview with Penny Warden [Part 2]
Editor’s note: We are very pleased to present the second part of an interview with distinguished artist Penny Warden. In the first part, she…
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Theology, Arts, and Culture Series: An Interview with Penny Warden [Part 1]
Editor’s note: We are very pleased to present the first part of an interview with distinguished artist Penny Warden. In this first part, she…
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Silence, the Arts, and Spiritual Discipline: Thoughts after R. S. Thomas [and Mark Rothko], an ITIA seminar presentation by Dr Richard McLauchlan
EDITOR’S NOTE: As a preview to the format for Transpositions’ Friday posts in the coming Martinmas semester 2018, this ‘review’ summarises and further reflects on…
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Theology, Arts, and Culture Series: Interview with Dave Barnes
Editor’s Note: In our effort to explore the intersection between practical and theoretical expressions of theology and the arts, Transpositions features contemporary artists who infuse…
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Review: Resurrection Letters, Volume I
RESURRECTION LETTERS, VOLUME I Andrew Peterson Centricity Music, 2018 While the death and resurrection of Jesus has been the subject of intense biblical and…
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Review: Resurrection Letters – Prologue
RESURRECTION LETTERS: PROLOGUE Andrew Peterson Centricity Music, 2018 For those individuals who are unfamiliar with his work, Andrew Peterson is a type of artistic…
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Album Review: Fragile Hands
By the rivers of Babylon we sat and wept when we remembered Zion. There on the poplars we hung our harps, for there our…
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