Featured Artist: Nicholas Mynheer
A sacred artist whose work graces churches and homes throughout his native England, Nicholas Mynheer (pronounced MY-neer) works in paint, glass, and stone. He…
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James MacMillan, ‘A New Song’: Silence, Anticipation, and the Incomplete
Editor’s Note: As part of our monthly focus on the TheoArtistry project and its collaboration with Sir James MacMillan, we offer another insightful article…
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Review: Modern Art and the Life of a Culture
Jonathan A. Anderson and William A. Dyrness. Modern Art and the Life of a Culture: The Religious Impulses of Modernism. Downers Grove, Illinois: IVP…
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Reflections on Art at Chichester Cathedral: Two takes on the Baptism of Christ
Chichester Cathedral houses two 20th paintings of the Baptism of Christ[1]: one by Hans Feibusch (1951/77) in the Baptistery, the other by Patrick Procktor…
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Setting Fire to Music
On a cold, bright day in November, I stepped into the Senate Room at the University of St Andrews to participate in my first…
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Call for Scores: Contribute to Theoartistry Composers Scheme
ITIA (the Institute for Theology, Imagination and the Arts, University of St Andrews) is delighted to present the opportunity to work with Sir James MacMillan…
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Poetry: Tim Bartel
The following two poems were written as part of a project exploring the possibilities of employing iambic pentameter – that worn, old meter perfected…
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Millennial Christians and the Post-Evangelical Love for Sufjan Stevens
As early as 2005, the Los Angeles Times was announcing the arrival of a new generation of musicians whose preference for introversion over boisterous ego and overwrought sexuality…
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Poetry: Two New Poems from Malcolm Guite
Transpositions is excited to provide a platform for established as well as upcoming poets whose work pushes forward our own collective interest in the areas of theology,…
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