Transpositions Ten-Year Anniversary Series Part 4: Significant Art from the 2010s
[EDITOR’S NOTE: This final instalment of our ten-year anniversary series is published in a new year. We have turned the corner from the past…
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Transpositions Ten-Year Anniversary Series Part 2: Significant Art from the 2010s
[EDITOR’S NOTE: Our Transpositions ten-year anniversary series reflecting on significant art from the 2010s continues this week with contributions from five erudite scholars whose…
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Transpositions Ten-Year Anniversary Series: Significant Art from the 2010s
[EDITOR’S NOTE: Transpositions celebrates 10 years! Over the next three weeks, Joel Mayward will highlight reflections by artists and scholars on art from the…
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Transept: Thresholds
The theme was thresholds: physical or metaphorical, small or great, looming ahead, just underfoot, or behind you. Physically and literally, a threshold is a…
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The Art of Church Architecture: The Light of Reconciliation in Post-War Church Architecture
[EDITOR’S NOTE: Our month-long series on The Art of Church Architecture draws to a close with Series Editor Ewan Bowlby’s poignant piece on reconciliation…
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Introducing our monthly Transept series
As mentioned in the first editorial post this term, during this academic year Transpositions will be featuring articles reflecting on the work of Transept;…
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‘Like a Child’: The Virtues of Childhood in The Idiot
In a novel tasked with depicting the ‘positively good man’, it is significant that the majority of characters who are characterized as ‘good’ in…
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From Communication to Communion: Dialogic Partnership in Dostoevsky’s The Idiot
Dostoevsky offers many interesting theological threads to follow in The Idiot, and, for me, amid all of its chaotic conversations I found a compelling…
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‘I Am the Sole Outcast’: Ippolit Among Dostoevsky’s Atheists
I. Henri de Lubac observes that ‘Dostoevsky’s books abound in atheists’. [1] The novelist explores the ‘psychology of unbelief’ by making many of his…
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