A Goodbye and a Blessing
This is my last post for Transpositions. I would like to thank my colleagues for their support and encouragement over the past three years….
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Sheep Amidst Wolves: Redeeming Creation through Process
“Behold I send you out as sheep in the midst of wolves; so be wise as serpents and innocent as doves.” – Matthew 10:16…
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A Theatre of the Actor-Saint: Osterwa’s Reduta
Following up on my previous posts on the Rhapsodic Theatre and Jerzy Grotowski’s Laboratory Theatre, I would like to introduce a third Polish theatre…
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Reflections on a Theatre of the Embodied Word
This is the final post in my three-part series comparing the theology of the Rhapsodic Theatre to the theology of Jerzy Grotowski’s Poor Theatre….
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Grotowski’s Poor Theatre: A Theatre of the Body
In the first part of this three-part series on the Rhapsodic Theatre and the Laboratory Theatre, I introduced the theological underpinnings of the Rhapsodic…
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Beyond Lines: The Relationship between the Artist and the Church [Part Three]
Editor’s Note: This is the third of a three-part series on the relationship between the artist and the church. The first post ran on…
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The Rhapsodic Theatre: A Theatre of the Word
Today I will begin a three-part series examining the theologies and theories of two 20th-century Polish theatre companies, Karol Wojtyła and Mieczysław Kotlarczyk’s Rhapsodic Theatre and…
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Lord, Give Us Shepherds: A Call for Pastors in the Arts
There can often be two schools of thought when it comes to pastoral care of artists. The first says that artists should be treated…
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A Call to Face Evil in the Christian Theatre
During a recent talk, I was asked how we can create powerful Christian art in the theatre. I was reminded of a recent conversation I…
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