A journal of theology, imagination, and the arts.

Is There Holy Digital Ground?

In the rehearsal room of Friargate Theatre, York, I sat with my friend and collaborator as we created a piece of theatre; we were both barefoot — and rightly so, for this, like all rehearsal spaces, was ‘holy ground’. Holy…

Embodying Art: Renewing Religion?

Everything we experience has to be embodied. Or, better, every experience we have can only be perceived, received, experienced by a sentient, embodied individual. That doesn’t mean to say that everything which could be experienced is experienced. Trees falling in…

Review: Resonant Witness

Jeremy S. Begbie & Steven R. Guthrie (eds), Resonant Witness: Conversations Between Music and Theology (Grand Rapids, MI:  Eerdmans, 2011). The aim of this roughly 500-page-long anthology is to “demonstrate the fruitfulness of theology for music, and the fruitfulness of music for…

Featured Artist: Wayne Adams

Wayne Adams is a painter living and working in Brooklyn, New York.  He received a BFA from Calvin College (1996), and then an MFA from Washington University in St Louis (2000).  In 2009-10, Adams was awarded an International Arts Movement…