A journal of theology, imagination, and the arts.

Review: The Self Portrait: A Cultural History

James Hall, The Self-Portrait: A Cultural History, New York: Thames and Hudson, 2014, 288pp, 120 Illustrations, 109 in colour, £24.95.  British art historian and critic James Hall has produced an impressive account of the history of Western self-portraiture in a beautifully…

Kierkegaard versus the Biblical Critics

In For Self-Examination, Kierkegaard critiques the historical-critical method in biblical scholarship,  presenting the biblical critic as a self-deceived, crafty coward, comparable to a young boy who pads his pants with napkins before he gets a spanking. [1] The critic, according…

Review: Heavenly Participation

Hans Boersma, Heavenly Participation: The Weaving of a Sacramental Tapestry. Grand Rapids, MI: Eerdmans, 2011, xii + 206 pp., £12.99 paper. No stranger to Transpositions, Hans Boersma here argues for a sacramental (aka participatory) ontology, and this with reference to nouvelle théologie. The book is, then,…

Transpositions: Signposts, Fall 2014

Greetings from St Andrews! We trust you’ve had a lovely summer. It’s been lovely here, one of the warmest summers ever recorded in Scotland. I spent much of the summer with my boys, hiking the Fife Coastal Trail and building sand…

Transpositions: 2014, a Mid-Year Review

Summer is a busy time, and so, as is our custom, we’ll be taking a break from our regular posting schedule (in the hopes of getting outside to catch a glimpse of the fleeting Scottish sun!). Looking back, we’ve had…

A Goodbye and a Blessing

This is my last post for Transpositions. I would like to thank my colleagues for their support and encouragement over the past three years. I would also like to thank you readers for your comments and emails offering useful feedback…