A journal of theology, imagination, and the arts.

A Theatre of the Actor-Saint: Osterwa’s Reduta

Following up on my previous posts on the Rhapsodic Theatre and Jerzy Grotowski’s Laboratory Theatre, I would like to introduce a third Polish theatre company that was an inspiration to both: The Reduta Theatre. The Reduta, founded by the Catholic…

Sigur Ros: Mystery and Awe in a Postmodern Worship Context

Sigur Ros, the Icelandic post-rock band from Reykjavik,  is expanding previous conceptions of what is appropriate music for congregational worship. They claim no direct affiliation to Christianity, yet their music is being played in churches throughout the world, offering practitioners…

Reviews: Authors’ Minds & Metallica

Patrick Colm Hogan, How Authors’ Minds Make Stories. New York: Cambridge University Press, 2013, xxi + 227 pp., £55.00, cloth. In How Authors’ Minds Make Stories, Patrick Colm Hogan explains literary creation in terms of cognitive science. Drawing on both…

Redeeming the Identity of the Creative Person

Editor’s Note: This is the second post in a two-part series.  The first, titled “The Invention of the Creative Person,” suggested that the identity of the creative person is, to some extent, a cultural construct.  As with all of the…