A journal of theology, imagination, and the arts.

Art and the Community of Others

Sara Schumacher has written previously on “The Relationship between the Artist and the Church,” arguing that artists must resist the temptation to view themselves as prophets in exile for “becoming a victim … inhibits true reconciliation.”[1] In this post I’d like to…

Copyright Law and the Art of Becoming Human

It is not uncommon to hear theologians speak of a “relational turn” in our thinking about personhood.  The idea, it seems to me, is that 20th century thinking about personhood shifts away from an individualistic understanding of the person as…

Call for Papers: Informing the Inklings

Informing the Inklings: George MacDonald & the Victorian Roots of Modern Fantasy Magdalen College, Oxford, 13 – 15 August 2014 The “Inklings,” an Oxford group that included C.S. Lewis, J.R.R. Tolkien, Owen Barfield, and Charles Williams, has long been recognized as…

Transpositions: 2014

Greetings from St Andrews, Transpositions and the Institute for Theology, Imagination and the Arts (ITIA). As you may well know, Transpositions began in the summer of 2010 when a group of students in ITIA started discussing how they might bring…

Review: Through Your Eyes

G. Walter Hansen and Bruce Herman. Through Your Eyes: Dialogues on the Paintings of Bruce Herman. Grand Rapids, MI: Eerdmans, 2013, xxi + 117 pp., £32.99 cloth. I’ve been waiting to see this book ever since I heard that it was in…

Review: The Religious Vision of Rembrandt

Arthur K. Wheelock, Jr. Rembrandt’s Late Religious Portraits. Chicago: The University of Chicago Press, 2005, 150 pp., £29.50 cloth. This catalogue accompanied an exhibition of seventeen works by Rembrandt from late in his career, held in 2005 at the National Gallery…