A journal of theology, imagination, and the arts.

Grotowski’s Poor Theatre: A Theatre of the Body

In the first part of this three-part series on the Rhapsodic Theatre and the Laboratory Theatre, I introduced the theological underpinnings of the Rhapsodic Theatre, associated with Karol Wojtyła and Mieczysław Kotlarczyk. In this second part, I will introduce the theology…

The Creaturely Nature of “Thumb-cinema”

My research took me to Berlin earlier this year, and during my visit I became acquainted with the work of a local artist, Volker Gerling,[1] who is Germany’s only professional ‘Daumenkinograph’. In English, a rather raw translation of Daumenkino would…

The God Who Is Visible

Lets begin with one of the world’s greatest understatements: the incarnation has profound implications for the Christian faith.  We could, of course, say this more forcefully.  Without the incarnation, would there even be a Christian faith? The Christian faith centers…

Respecting the Unholy: The Demonic On Screen

Hollywood is never short of a horror franchise, particularly in the month of October. Often these representations of evil are gimmick-laden thought experiments into the worst-of-all-worsts;  they are so unbelievable that it is more terrifying to realize that someone has…

Review: Outreach and the Artist

Con Campbell, Outreach and the Artist: Sharing the Gospel with the Arts. Grand Rapids, MI: Zondervan, 2013. 116 pp., £10.99 paper. In this easy to read, autobiographical handbook, Con Campbell, Associate Professor of New Testament at Trinity Evangelical Divinity School (Deerfield, IL,…