
Anatomy of a Void: The Subversion of the Predella and the Evacuation of Grace in Francis Bacon’s Three Studies for Figures at the Base of a Crucifixion (1944)
There is a particular kind of difficulty within a painting which is at once entirely atheistic in vision and entirely dependent on Christian architecture for its power. Francis Bacon’s Three Studies for Figures at the Base of a Crucifixion, painted…
