A journal of theology, imagination, and the arts.

The Discreet Religiosity of Taylor Swift

Pop music deals in ‘obsequious’ gestures, and in this respect Taylor Swift is no exception. 1 Indeed, she has a gift for poetic compression, in distilling life-size dramas into relatable technicolor vignettes. (She has herself characterized some of her lyrics…

Furiosa’s Redemptive Instinct to Live

Mad Max: Fury Road invites its audience onto a journey of restoration. Both ‘Mad’ Max and Furiosa are haunted by their pasts and seek redemption for their actions. Two immanent realities represent the ‘death of the world’ in Fury Road:…

Call for Submissions: Narrative

Our lives are populated with narratives. Whether we’re reading a novel, listening to a true-crime podcast, keeping up with the latest political developments or following the life of a meme on social media, everywhere we look we find ourselves emersed…

Inhabiting the Immersive Studio Album

In 2013, American actor, writer and musician Donald Glover told an interviewer in promotion of his upcoming studio album: ‘I don’t want to make albums anymore, anyway. Cause I feel like it’s just kind of silly to make albums… like…

Call for Submissions: Pop Music

Perhaps unfairly, pop music elicits a variety of negative images—erratic crowds of fangirls, producers who prioritise formulaic constructions over creative innovation, sensational aesthetics trickling down into cheap trends that come as quickly as they go. Charitable accounts of the affective…