Lent: Placing Pain
I. When you go on a week-long European trip, you expect it to be a certain way and mean a certain thing. But Italy…
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Transept Artist Reflections: Letizia Morley and Dan Drage
In the first of a series leading up to the Transept event space( )between in Holy Week, we offer some of the artists’ reflections on their…
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The Art of Lent: Joy in the Sideward Glance
[EDITOR’S NOTE: Continuing our series on The Art of Lent: A Painting a Day from Ash Wednesday to Easter by Sister Wendy Beckett, Joel Clarkson offers…
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The Art of Lent: Silence
[EDITOR’S NOTE: Continuing our series on The Art of Lent: A Painting a Day from Ash Wednesday to Easter by Sister Wendy Beckett, Dan Drage…
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The Art of Lent: Humility, Rembrandt, and Goya
[Editor’s Note: In the second reflection on Sister Wendy Beckett’s The Art of Lent: A Painting a Day from Ash Wednesday to Easter, our anonymous…
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The Art of Lent: Series Launch
This series on The Art of Lent has been a year in the making. When I first came across this little book (literally – it…
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2018 Arts and Faith Ecumenical Jury – Part Two: Honourable Mentions
In Part One of this series, the Arts and Faith Ecumenical Jury revealed their Top 10 films of 2018. For Part Two, each film…
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2018 Arts and Faith Ecumenical Jury – Part One: Top 10
We are honoured at Transpositions to host the 2018 Arts and Faith Ecumenical Jury Top 10 Films, based at www.artsandfaith.com. Since 2014, the Ecumenical Jury…
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Italian Light: Elizabeth Jennings and Thomas Aquinas
[Editor’s Note: Last week, Ann Loades reviewed Dana Greene’s biography of Elizabeth Jennings and considered her turbulent life, her prolific body of work, and…
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