AI Ethics in a Post-Turing-Test World
In July of last year, Google engineer Blake Lemoine broke his confidentiality agreement with his employer by publishing his conversation with LaMDA, an artificial…
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Enfolding Sounds: Sacred and Profane Music in Concert Programming
What is the difference between a concert programme and a liturgy? As the planner, and one of the performers in the Transept 2023 music…
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Wormholes To Joy: On Making ‘Fig Tree’
My piece for the Enfolding exhibition, a series of drawings called ‘Fig Tree’, was born out of a desire to communicate visually some of…
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Behind The Veil: An Artist’s Reflection
The paper swims in front of me as I lean my body over it again, moving the water and paint in large sweeping gestures….
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Artist Reflection For ‘Enfolding: The Study Of Margins And Centres’
When discussing the theme for the Transept exhibition in 2023, I immediately thought of connection as a way to make changes in our society:…
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The Bright Abyss: A Response To ‘The Art Of Church Architecture: The Light Of Reconciliation In Post-War Church Architecture’
For the next reflection in our series honouring the work of Dr Ewan Bowlby, Dr Sarah Moerman looks back at Ewan’s discussion of post-war…
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Reflections On ‘TheoArtistry: “Beyond Clarity”‘ By Ewan Bowlby
In the spring/summer semester of 2019, a quiet experiment in theology took place in St Andrews. Tucked away in a bright but bland meeting…
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It Will Flame Out
Editor’s Note: Over the next week, Transpositions will honour Dr Ewan Bowlby, our beloved past Editor-in-Chief who died just before Christmas. Several of Ewan’s colleagues will…
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Intuition: A Key to the Spirituality of David Lynch’s Films
Using intuition as a guiding theme, Sean Desmond examines how we can understand the enigmatic style and spiritual quality of David Lynch’s films. ‘Instinct…
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