Let There Be Rock: The Strange Poetics of Richard Dawkins’ Rock Opera
It is perhaps one of the more immediately striking partnerships in the history of music. On one side we have Tuomas Holopainen, pianist and…
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Resurrecting the Country Priest: Approaching the Parish in Film and Literature
The shepherd’s brow, fronting forked lightning, owns The horror and the havoc and the glory Of it…. —G. M. Hopkins, ‘The Shepherd’s Brow,’ 1918….
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A Lenten Journey: He is Risen!
This is the final post of a collaborative series, A Lenten Journey: Poetic Reflections, featuring the poetry of Gerald St. Maur alongside the photography of…
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A Lenten Journey: Poetic Reflections pt. 3
The Third Fall But crowds grow impatient with pause, their power lost in the irritant of reflection. A clenched fist thrust in His face…
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A Lenten Journey: Poetic Reflections pt. 2
This is the second of a three-part collaborative series featuring the poetry of Gerald St. Maur and the photography of Rev. Thomas Brauer. Mother Mary…
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A Lenten Journey: Poetic Reflections pt. 1
This week Transpositions is honored to feature a series of collaborative meditations on the events of Lent by drawing together the poetry of Gerald St….
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Contemporary Confessions: Hozier’s Ecclesiastical Confusion
“But in this lay my sin: that I sought pleasure, nobility, and truth not in God but in the beings He created, myself, and…
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Review: Titian: His Life
Sheila Hale, Titian: His Life. London: HarperPress, 2012, xxi + 832 pp., £30/ $39.99 hardback. Sheila Hale begins the introduction of her tome on the life…
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Codex – Artist in Residence Series: Alfonse Borysewicz
Editor’s note: This post is the fifth in a series from our “Artists in Residence,” and the second from Alfonse Borysewicz (see his first…
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