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Nayeli Riano

Nayeli Riano is a former Editorial Assistant for Transpositions. She completed an MLitt in Intellectual History at the University of St Andrews. She is originally from Bogotá, Colombia, but grew up in New Jersey in the United States. Nayeli completed her undergraduate degree in English at the University of Pennsylvania in Philadelphia.

Architecture, Art in the Church25 November, 2019

Charlemagne in Chartres: Looking at Stained Glass

By Nayeli Riano

Light coming through a stained-glass window is one of those effects unique to the church space—we can hardly witness it anywhere else. Despite, or…

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Articles, Literature, Poetry8 December, 2018

Time and Faith within the Urban and the Rural, Part 2

By Nayeli Riano

After last week looking at the importance of the city in T. S. Eliot’s poetry, we now turn to the rural context. Eliot’s final…

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Literature, Poetry3 December, 2018

Time and Faith within the Urban and the Rural, Part 1

By Nayeli Riano

Over the past year, my transition from the car horns and sirens of Philadelphia to the call of seagulls in St Andrews has put…

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Articles, Featured, Poetry Symposium, Theology13 December, 2017

Waiting on the Word: George Herbert’s ‘Christmas (I)’

By Nayeli Riano

Editor’s Note: For our second Advent reflection on Malcolm Guite’s, Waiting on the Word (Canterbury Press, 2015), Nayeli Riano reflects upon George Herbert’s ‘Christian (I)’ and…

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Art in the Church, Articles, Artists, Church, Featured, Painting8 November, 2017

Movement and Location in the Church Space: Pieter Jansz Saenredam, his paintings, and an “ambulatory imagination”

By Nayeli Riano

It is fitting to write a reflection on the idiosyncratic artwork of Pieter Jansz Saenredam from the peculiar comfort of Martyrs Kirk library in…

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Transpositions is a publication of ITIA at the University of St Andrews.

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