Exhibition Review: Home Alone Together
Editor’s Note: Dan Drage also interviewed Aaron Rosen, one of the curators of the Home Alone Together exhibition, about the origins and goals of…
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Review: ‘Time and Again: Playing it Back’
On Saturday, 25 April, 2020, over a dozen artists came together for a ‘Zoom-in Playback’ encounter moderated by Karen McClain Kiefer. This event was…
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Review: ‘Time and Again’ Arts Exhibition
Editor’s note: In Part 1 of this review, Kieran Gaya reviews the visual and literary component of Transept’s ‘Time and Again’ exhibition. In Part…
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The Pittenweem Arts Festival: An Artist’s Reflection on Art, Church, and Place
One may be forgiven for questioning the theological value of art festivals; after all, they can be known for their unbridled commerce and questionable…
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Silence, the Arts, and Spiritual Discipline: Thoughts after R. S. Thomas [and Mark Rothko], an ITIA seminar presentation by Dr Richard McLauchlan
EDITOR’S NOTE: As a preview to the format for Transpositions’ Friday posts in the coming Martinmas semester 2018, this ‘review’ summarises and further reflects on…
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Review: After the Call – An Artistic Exploration of Beauty in the Ordinary and the Unexpected, Pt. I
Editor’s Note: This is the first installment of a two-part review. Click here to see Part II. From 6thto 15thApril 2018, The Transept –…
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ITIA Art Exhibition, ‘The World “behind” and “in front of” the Work’
While a scholarly investigation of art engages the imagination and intellect, a practical interaction with art employs the physical senses. More profoundly, art that…
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Review: The Religious Vision of Rembrandt
Arthur K. Wheelock, Jr. Rembrandt’s Late Religious Portraits. Chicago: The University of Chicago Press, 2005, 150 pp., £29.50/$42.50 cloth. This catalogue accompanied an exhibition of…
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Exhibition Review: “Art Under Attack: Histories of British Iconoclasm”
From now until 5 January 2014, Tate Britain is hosting an exhibition titled “Art Under Attack: Histories of British Iconoclasm”, exploring examples of religious, political…
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